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At her son’s funeral, Solange, a lawyer famous for losing hopeless cases, agrees to defend René, her son’s age, accused of murdering his wealthy aunt, Jeanne, who’s part of the Franco-Belgian Psychoanalytic Society, known for odd views and methods. She reads Jeanne’s journal, documenting René’s criminal tendencies. Solange believes him innocent, manipulated into the murder or framed. Odd psychiatrists turn up, including Georges Didier, who runs FBPS, and his rival, Christian, who believes crime originates in a story’s taking hold of a person. After the verdict, René and Solange’s relationship changes, Georges and his society commit a bizarre act, and the police record Solange’s story.

Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link between four different, yet similar, stories involving love, lust, crime, and time.

Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel’s authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara’s daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.