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In 1910, acclaimed Russian novelist ‘Leo Tolstoy’ (qv), in the later stage of his life, works rather than a writer but as the leader of the Tolstoyan Movement, whose basic tenets are brotherly love and world peace through pacifism, and a denouncement of material wealth and physical love. His chief follower is Vladimir Chertkov, who does whatever he requires to advance the cause. Chertkov hires a young man named Valentin Bulgakov to be Tolstoy’s personal secretary in carrying out this work. Once ensconced in the life on the estate where much of the work is taking place, Bulgakov quickly learns that many there take from the movement only what he/she wants/believes. Also chief amongst the movement’s wants is the deeding of all Tolstoy’s writings to the people so that after his death it will become public domain. Tolstoy’s wife, the Countess Sofya Andreevna Tolstoy, believes that her husband’s writings are rightfully hers after he passes, as she wants and believes she deserves the monetary benefits derived from such. This places a strain between those in the movement, especially Chertov and the Tolstoy’s daughter Sasha, and the Countess. Bulgatov acts as the mediator between the parties, he who feels he needs to do what is truly in Tolstoy’s heart regardless of what Tolstoy may say or do.

It is 1941, and World War II rages on; the Nazis succeeded in taking over half of Europe and part of Russia until they reached Leningrad. Hitler fails to take Leningrad after a four-month-long offensive in 1941. Hitler realizes that Leningrad could not be taken by force, and now he will surround the city for three years, and starve three million people to death. In the midst of this horrific siege, a young English journalist, Kate Davis, finds herself among surviving Russians within the famished city of Leningrad.

Orlando, a man of ideal nobility starts his search for love, poetry, a place in society and a meaning in life, in and around the court of historical England in the late 16th century. The blessing of eternal life from Queen Elizabeth I enables him a long and deep philosophical quest, accompanied by the features of “noble” English life with a good taste for irony. Both sides of the coin are shown when Orlando, partly fed up and disgusted with how men think and act, returns from his ambassadorship in the Far East as exactly the same person, let alone his sex. Orlando, a woman of ideal nobility continues her journey to realize the truth about life, love, and approaching one’s own sex in the late 18th century England. For one who lived four hundred years and haven’t aged a day, finding humanity’s forgotten need for androgynity as the key to the happiness of her own as well as her daughter’s. Sally Potter’s adaptation of Virginia Woolf’s Orlando not only tells the story on film with brilliant visual design, but also tries to extend the plot as Woolf would have, had she lived to the end of the twentieth century.

This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain’s finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it’s hard to find fault with the rendering of this familiar story—it is respectful and definitely done, you might say, by the Book—it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss—none of which is helped by the figures’ blank-eyed stares (if animators are becoming ever more sophisticated, why can’t they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won’t insult their kids’ intelligence will be thrilled.

A loner American computer hacker is brought to Russia to commit bank fraud, only to find a family and love in the incomprehensible, violent, and chaotic Moscow underworld.

Top cover girl and fashion model, Jennifer Tree (ELISHA CUTHBERT) has it all - beauty, fame, money and power. Her face appears on covers of hundreds of magazines. At the top of her game, Jennifer is America’s sweetheart. She is loved and adored and sought after. Everyone wants her. But someone out there has been watching and waiting. Someone wants her in the worst way. Out alone at a charity event in Soho, Jennifer is drugged and taken. Held captive in a cell, Jennifer is subjected to a series of terrifying, life-threatening tortures that could only be conceived by a twisted, sadistic mind. Inspired by the fact that over 850,000 people are reported missing every year in the United States, many of whom are never seen again, CAPTIVITY, follows the story of one woman who is abducted and tortured, held against her will in a place where days turn into weeks. Her will to escape and survive is challenged every moment by a maniac’s desire to demoralize innocent victims and play out his sick game that has been played many times before Jennifer was taken. A combination of SAW and HOSTEL meets SILENCE OF THE LAMBS, CAPTIVITY is a psychological thriller/horror film that shows us the true terror of the crimes of abduction and confinement that are committed every day by serial killers and psychopaths at large. Directed by acclaimed filmmaker Roland Joffe (THE KILLING FIELDS, THE MISSION), CAPTIVITY delves deeply into the minds of both captor and victim with a fresh and terrifying view of this epidemic horror. Being released this summer in theatres nation-wide, CAPTIVITY has been called one of the most controversial films of the year. It’s a disturbing and raw, yet classy and thought provoking film which will leave you terrified, and looking over your shoulder as you leave the theatre wondering if you could be next.

Billy Hughes, a mute makeup artist working on a slasher film being shot in Moscow, is locked in the studio after hours. While there she witnesses a brutal murder, and must first escape capture at that time, then keep from being killed before convincing authorities of what she’s seen. Plot twists galore follow as Billy tries to stay alive.