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Come fly with Iron Maiden and enjoy the hospitality of Flight 666 as the boys’ take on the biggest tour of their career, flying around the world in their own private Boeing 757. This insight into the background noise that is the logistical workings’ of the ‘2008 Somewhere Back in Time’ World Tour is captivating, both behind the scenes as well as on stage. Performing in front of sell out crowds, this “Rocumentary” is an insight into the minds, bodies and souls of the family that is Iron Maiden.

Segments: “Once Upon a Wintertime,” two lovers recued from an icy river by friendly animals; “Bumble Boogie,” bee beset by musical instruments and symbols come to life; “Johnny Appleseed,” story of the legendary pioneer tree-planter; “Trees,” mood piece set to musical treatment of Joyce Kilmer’s poem; “Little Toot,” story of a heroic little tugboat who saves an ocean liner; “Blame it on the Samba,” Donald Duck and Jose Carioca have the blues blown away at a Latin cafe; “Pecos Bill,” story of the legendary cowpoke, his trusty mount Widowmaker and his sweetheart Slue Foot Sue.

The backstage intrigue behind the creation of one of the world’s great operas provides the story for this historical drama from director Carlos Saura. Lorenzo Da Ponte (Lorenzo Balducci) is a defrocked priest who, after a failed marriage and a spell running a brothel, has found himself in Vienna, where his gifts as a poet and friendship with Casanova (Tobias Moretti) have led to an introduction to composer Salieri (Ennio Fantastichini). Salieri has been commissioned by the Viennese court to write an opera and is in need of a lyricist. Da Ponte agrees to write the libretto for Salieri’s latest project, but when the composer becomes disinterested, he passes the opera on to one of his associates, Mozart (Lino Guanciale). As Da Ponte juggles both serious and casual relationships with several women and Mozart struggles with his muse, their adventures become a reflection of the story Da Ponte and Mozart are setting to music. Io, Don Giovanni (aka I, Don Giovanni) was an official selection at the 2009 Toronto International Film Festival.

Centers on two childhood friends who live together. Marie leaves her family and moves to Lyon to study piano, moving in with Emma who has been living alone since her father died and her mother left. Marie abides by the rules laid down by her roommate, who is ever more fascinating, dominating and oppressive.

Live-action segments show members of the Disney staff touring South America and recording their impressions in sketches. These segue into four animated sections: “Lake Titicaca” depicts tourist Donald Duck’s troubles with a stubborn llama; “Pedro” tells of a little mail plane’s adventures flying over the treacherous Andes; “El Gaucho Goofy” transplants an American cowboy into the Argentine pampas; and in “Aquarela do Brasil,” Jose Carioca shows Donald the sights and sounds of Rio de Janiero.

In London, A.K. is a Ukrainian Gypsy, seeking fame as a rocker, doing odd jobs: he’s a dom, drives a hack, and runs errands for his neighbor, a poet full of self pity since going blind. A.K’s flatmates are Holly, a ballerina who becomes a reluctant stripper in need of coaching, and Juliette, a pill-popping assistant at a pharmacy run by an Indian tired of his marriage. Juliette, estranged from her family, dreams of helping the poor children of Africa; A.K. has a crush on Holly; Juliette’s boss lusts after her. Her hapless sister calls from time to time. The poet despairs. Is there a route from filth to wisdom for these souls? Can they find fun and fulfillment? A.K. provides philosophical comment.

Every village has its band of fools, trying to get to the top, following their idols in drug habits, but staying losers till the end of their pathetic days. They all do this in the name of rock & roll. Three disabled rock musicians are looking for a drummer. Dries, a well known writer, seems the right guy for the job, were it not for the fact that his only handicap is that he can’t play the drums. He joins the group as a perfect, but evil god walking down his mountain to play with the populace. With the arrival of this infiltrator, personal disputes and family feuds start to jeopardize the band’s fragile future. Dries will manipulate them till they are willing to drink each others blood and their only future is written down in many Punk lyrics: “No Future”.

Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest. A brief dalliance turns into something much more complicated and he starts to employ - indeed monopolise - her services as an estate agent by announcing he suddenly must move house.

May 2000. André “Dédé” Fortin, lead singer of the wildly popular Quebec Ska band “Les Colocs”, commits hara-kiri to everyone’s shock. Intertwining the singer’s rise and spiralling descent, this lively musical biopic depicts his passions, his loves and the creation of his last album.